From The Paul Stanley
Tour - Living the Dream (updated)
with Paul Stanley
McGorman - Feb 2007
Imagine if you could grow
up and play with a real life Luke Skywalker? I did. When I was a kid, I
used to play with toys. Star Wars figures, Hot Wheels cars, Legos,
Silly Putty and KISS dolls. I also used to listen to records in my
Grandma’s basement and play air guitar to my favorite songs. I had a
real drum set and keyboard and my friends and I would put on the lava
light that we bought at Spencer Gifts and rock out to KISS records.
We would gaze in the full length mirror perfecting our rock moves all
day and night; we were kids having fun and we loved it. What I didn't
realize (as I'm sure no one else did), was that I was actually
preparing for a job that I would have later in life. I was going to say
a "dream job", but I ended up living it.
At 21, I moved to L.A. to pursue a career in music. While spending time
writing songs and working on my own music (shameless plug for my record
… available on my website), I got a call from a friend of mine who
worked at a management company. He said there was a female artist
(Rebekah) there who needed "someone like me" – a guy who could play
keyboards, guitar and sing like a lead singer. As it turned out, I got
the gig; ten years, several world tours with various artists (Michelle
Branch, Cher, New Radicals, just to name a few) and a hit international
T.V. show later, I got another call.
It was from Paul Stanley.
When I checked my voicemail that early September day, I was shocked to
hear that smokey, distinctive voice. He had left a message telling me
that he had a solo record coming out, and wanted to talk to me (and the
House Band) about playing with him. I immediately called my childhood
friends and told them about the call. Growing up in the South
Jersey/Philly area, rock n' roll was our upbringing. KISS, Bon Jovi,
Cinderella, etc. They were the soundtrack of our high school days. When
I finally spoke with him, he was as cool and down to earth as anyone I
have ever met, let alone someone who has sold around 80 million
After a few phone calls, Paul and his manager, Doc McGhee, invited us
to dinner. It was over a meal that they offered us a job to be Paul's
band for a monthlong tour to promote Paul’s new record, Live to Win.
The timing was such that there were a few weeks left on the second
season of Rock Star. After the last show, we only had a week before we
had to start learning KISS/Paul songs. It was bit tight, but we learned
about twenty songs and started rehearsing right away.
One thing we quickly learned about Paul is that he is an incredibly
hard worker. When we first started to play, Paul Mirkovich (keyboards,
vocals) said, "Paul, you don’t need to sing with us every time. We know
all the singing is in a really high register." Paul Stanley said, "This
is what I do. If you play it, I’m gonna sing it." During rehearsals, he
was the first one there and the last one to leave. You rarely see that
in a singer, especially one that has had the success that he has. It
was really great to see someone that I admire live up to all the
expectations and surpass them.
It's always an odd thing to play music that you've heard on a record so
many times. You have to take something that is so firmly established in
your head and play it live in a way that is true to the original
spirit, but also bring a fresh look on it. At least that's how I look
at it. To me, that was our job in rehearsal. I wanted us to give the
new songs a live feel, and bring the same approach to some of the older
One thing that was interesting was that three of us played guitar.
Though Paul may be best known for being a charismatic front man, he is
also a great guitar player. He does it so effortlessly that you almost
don't even realize that he's playing. When we first got together, he
was showing us a lot of the guitar parts for the songs. It's crazy to
think that he wrote them. Having three guitar players in a band gives
you a lot of freedom and confidence. You know that all the parts from
the record are being covered and you can take some liberties to be
musical that way.
During the rehearsals, I also had one of the coolest days of my musical
a week or two into it, I got a call from my friend Chad Gilmore, who
plays drums for an artist named Marc Broussard. He said that they were
playing the Roxy and asked me if I wanted to sit in. I have played on
Marc's records and done some touring with him in the past, so knowing
that I would be out of rehearsal in time, I agreed. I went from playing
KISS and Paul Stanley songs on guitar, to playing soulful pop songs on
a Wurlitzer (piano). To do that in the span of ten hours was one of the
best musical days I could ever ask for. And one I won't forget anytime
(Note from webmasters: you
can see a couple of photos from this occasion in our Gallery: photo1
"It's always an odd thing to play music that you’ve heard
on a record so many times. You have to take something that is so firmly
established in your head and play it live in a way that is true to the
original spirit, but also bring a fresh look on it."
Of course, after all the rehearsals came
the live shows. Our first show with Paul was in Atlanta, GA at a great
theatre called the Tabernacle. It has a huge old pipe organ and a great
rock n' roll vibe. Most first shows can be a bit troublesome. During
any show, a lot of things can and will go wrong. Everything from
getting a good mix on stage, to just plain remembering the songs and
transitions can be a challenge. But this one went off without a hitch,
and I think it was the best opening show I have ever been a part of.
Having a front man like Paul Stanley gives you a lot of confidence.
This guy has been killing it for 30 years and you know that he won't be
the one to mess up. It was also very different for us because there
were no cameras rolling. For the past two years, working on Rock Star,
every time we played a song, we knew it was being filmed and recorded.
Every little note and nuance is picked up. That can be stressful.
Working with Paul was a return to the live roots that most of us are
used to. That made it fun.
Speaking of fun, one of the best things about working with Paul is
watching how he commands an audience. He literally has them eating out
of the palm of his hand. Most nights, people in the crowd will yell out
song names for him to play. Sometimes he will acquiesce, but we usually
stick to the set. It is a set that he created to have a flow – and it
works. However, one night in Portland (or was it Seattle? I'm not
really sure…) there was a woman who would not stop yelling out the
title of a song that we don't normally play. After repeated requests,
Paul said, "How much did you pay for your ticket?" She replied "$45,"
and he said, "You’ve gotta pay at least $50 for requests." She then
outstretched her arm with five dollars in it. He went over to her, took
the five dollars and started to play the song she asked for. With no
accompaniment from the band (as we hadn’t rehearsed it), he played
almost the whole song. When he finished and the crowd calmed their
cheers, he said, "I'm keeping the five bucks!" The place exploded with
laughter and we went on to the next song.
Though it was only a three and a half week tour, it was one that I will
always remember. For a kid from Philadelphia who used to fantasize
about being a rock star, this experience was very close to a dream.
Thanks, Paul for asking, "Can Jimmy come out and play?"
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